NGMA CONVERSION

In creating NGMA, I arranged its various phonetic features into vowels,
consonants, vowel/consonant vowel/vowel and consonant/consonant pairs,
pronounciations of the letter "R", as well as shorthand versions of common words.


The following image is one of the original keys I had developed in
my sophomore year of high school for NGMA's handwritten variation.



ENGLISH
Brothers Karamazov
character № - 646

"In that sense, "all things are lawful" for him. What's more, even if this period never comes to pass, since there is anyway no God and no immortality, the new man may well become the man-god, even if he is the only one in the whole world, and promoted to his new position, he may lightheartedly overstep all the barriers of the old morality of the old slave-man, if necessary. There is no law for God. Where God stands, the place is holy. Where I stand will be at once the foremost place ... "all things are lawful" and that's the end of it! That's all very charming; but if you want to swindle why do you want a moral sanction for doing it?"

Fountainhead
character № - 651

"When you suspend your faculty of independent judgment, you suspend consciousness. To stop consciousness is to stop life. Second-handers have no sense of reality. Their reality is not within them, but somewhere in that space which divides one human body from another. Not an entity, but a relation--anchored to nothing. That's the emptiness I couldn't understand in people. Men without an ego. Opinion without a rational process. Motion without brakes or motor. Power without responsibility. The second-hander acts, but the source of his actions is scattered in every other living person. It's everywhere and nowhere and you can't reason with him."

Odyssey
character № - 824

"Hoisting high that olive stake with its stabbing point, straight into the monster's eye they rammed it hard - I drove my weight on it from above and bored it home as a shipwright bores his beam with a shipwright's drill that men below, whipping the strap back and forth, whirl and the drill keeps twisting faster, never stopping - So we seized our stake with its fiery tip and bored it round and round in the giant's eye till blood came boiling up around that smoking shaft and the hot blast singed his brow and eyelids round the core and the broiling eyeball burst - its crackling roots blazed and hissed - as a blacksmith plunges a glowing ax or adze in an ice - cold bath and the metal screeches steam and its temper hardens - that's the iron's strength - so the eye of the Cyclops sizzled round that stake!"

NGMA
Brothers Karamazov
character № - 442




Fountainhead
character № - 448





Odyssey
character № - 551

NGMA uses ~¼-⅓ less characters on average than English, as demonstrated by the
"Brothers Karamazov" (p.842), "Fountainhead" (p.539), and "Odyssey" (p.148) exerpts above by only using
68%, 68%, and 66% of the total amount of characters present in their English versions.



-:- UNICODE TABLE -:-

VJS UNIHTML UNI
Α913Α
Η919Η
ψ968ψ
ε949ε
Ε917Ε
ι953ι
Ι921Ι
Ω937Ω
ω969ω
0x155Fᕟ
0x144Eᑎ
Ч0x0427Ч
π960π
Υ933Υ
CJS UNIHTML UNI
β946β
Δ916Δ
Φ934Φ
Γ915Γ
η951η
χ967χ
0x30B9ス
Λ923Λ
μ956μ
ν957ν
Π928Π
Σ931Σ
Τ932Τ
υ965υ
δ948δ
Ξ926Ξ
λ955λ
ζ950ζ
SP CJS UNIHTML UNI
Β914Β
0x1402ᐂ
0x1430ᐰ
Ӿ0x04FEӾ
V-RJS UNIHTML UNI
R0x0052R
Ρ929Ρ
ä228ä
0x260B☋
0x10B4Ⴔ
Ο927Ο
C-TJS UNIHTML UNI
Ѧ0x0466Ѧ
80x00388
0x0CEE೮
τ964τ
0x22C9⋉
0x5201刁
0x1560ᕠ
ß0x00DFß
C0x0043C
ENDSJS UNIHTML UNI
0x2661♡
0x01338ጸ
Ҩ0x04A8Ҩ
N0x004EN
0x14D0ᓐ
°0x00B0°
0x2207∇
0x0AEA૪
CST-HJS UNIHTML UNI
Χ935Χ
Ψ936Ψ
Θ920Θ
WORDJS UNIHTML UNI
&0x0026&
0x0CEC೬
0x1210ሐ
0x2260≠
§0x00A7§
<60&#x003C;
>62&#x003E;
«171&#x00AB;
»187&#x00BB;
0x2642&#x2642;
0x1E8A&#x1E8A;
0x2234&#x2234;
0x0D24&#x0D24;
PUNCJS UNIHTML UNI
0x2216&#x2216;
.0x002E&#x002E;
-0x002D&#x002D;
,0x002C&#x002C;
0x2014&#x2014;
:0x003A&#x003A;
/0x002F&#x002F;
\0x005C&#x005C;
[0x005B&#x005B;
]0x005D&#x005D;
space0x0020&#x0020;
@0x0040&#x0040;
ABJS UNIHTML UNI
A0x0041&#x0041;
B0x0042&#x0042;
C0x0043&#x0043;
D0x0044&#x0044;
E0x0045&#x0045;
F0x0046&#x0046;
G0x0047&#x0047;
H0x0048&#x0048;
I0x0049&#x0049;
J0x004A&#x004A;
K0x004B&#x004B;
L0x004C&#x004C;
M0x004D&#x004D;
N0x004E&#x004E;
O0x004F&#x004F;
P0x0050&#x0050;
Q0x0051&#x0051;
R0x0052&#x0052;
S0x0053&#x0053;
T0x0054&#x0054;
U0x0055&#x0055;
V0x0056&#x0056;
W0x0057&#x0057;
X0x0058&#x0058;
Y0x0059&#x0059;
Z0x005A&#x005A;
#JS UNIHTML UNI
00x0030&#x0030;
10x0031&#x0031;
20x0032&#x0032;
30x0033&#x0033;
40x0034&#x0034;
abJS UNIHTML UNI
a0x0061&#x0061;
b0x0062&#x0062;
c0x0063&#x0063;
d0x0064&#x0064;
e0x0065&#x0065;
f0x0066&#x0066;
g0x0067&#x0067;
h0x0068&#x0068;
i0x0069&#x0069;
j0x006A&#x006A;
k0x006B&#x006B;
l0x006C&#x006C;
m0x006D&#x006D;
n0x006E&#x006E;
o0x006F&#x006F;
p0x0070&#x0070;
q0x0071&#x0071;
r0x0072&#x0072;
s0x0073&#x0073;
t0x0074&#x0074;
u0x0075&#x0075;
v0x0076&#x0076;
w0x0077&#x0077;
x0x0078&#x0078;
y0x0079&#x0079;
z0x007A&#x007A;
#JS UNIHTML UNI
50x0035&#x0035;
60x0036&#x0036;
70x0037&#x0037;
80x0038&#x0038;
90x0039&#x0039;
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